Photo by Elvert Barnes.
Ankita Anand’s writing has travelled through India, Pakistan, Singapore, Ireland, South Africa, Canada, the US and the UK. She also facilitates writing workshops. An archive of her publications can be found here: anandankita.blogspot.in
Leah Angstman is a historian and transplanted Midwesterner, unsure of what feels like home anymore. She is the recent winner of the Loudoun Library Foundation Poetry Award and Nantucket Directory Poetry Award and was a placed finalist in the Cowles Poetry Book Prize, Able Muse Book Award, Bevel Summers Prize for Short Fiction, and Pen 2 Paper Writing Competition (in both Poetry and Fiction). She serves as Editor-in-Chief for Alternating Current Press and a reviewer for Publishers Weekly, and her work has appeared in Los Angeles Review of Books, The Rumpus, Tupelo Quarterly, Electric Literature, Slice Magazine, Shenandoah, and elsewhere. Find her at leahangstman.com.
Devon Balwit is a writer/teacher from Portland, OR. She has five chapbooks out in the world. Her poems have appeared in Rattle, The New Verse News, Poets Reading the News, Redbird Weekly Reads, Rise-Up Review, Rat’s Ass Review, The Rising Phoenix Review, Mobius, What Rough Beast, and more.
Jessica Barksdale’s fourteenth novel, The Burning Hour, was published by Urban Farmhouse Press in April 2016. A Pushcart Prize and Best-of-the-Net nominee, her short stories, poems, and essays have appeared in or are forthcoming in the Waccamaw Journal, Salt Hill Journal, Little Patuxent Review, and So to Speak. She is a Professor of English at Diablo Valley College in Pleasant Hill, California and teaches novel writing online for UCLA Extension. She holds an MA in English Literature from San Francisco State University and an MFA from the Rainier Writers Workshop at Pacific Lutheran University.
Tina Barry’s work has appeared in The American Poetry Journal, The Best Short Fictions 2016, The Peacock Journal, b(OINK), Nasty Women Poets: An Unapologetic Anthology of Subversive Verse (2017), among other journals and anthologies. She has two Pushcart Prize and several Best of the Net nominations.
Amy Baskin’s work is featured in Every Pigeon, apt, What Rough Beast, Riddled with Arrows, Fire Poetry Journal, The Ghazal Page, and more. She’s a 2016 Willamette Writers Kay Snow Poetry award recipient for her poem, About Face. She’s worked on revision with Paulann Petersen and Renee Watson of I, Too Collective, and participates in generative groups hosted by Allison Joseph and Jenn Givhan.
Roberta Beary identifies as gender-expansive, and writes to connect with the disenfranchised, to let them know they are not alone. She is the author of three books of poems: Deflection (Accents Publishing, 2015), nothing left to say (King’s Road Press, 2009) and The Unworn Necklace (Snapshot Press, 2007, 5th ed. 2017) which was a finalist in the Poetry Society of America annual book awards. Beary is the editor of the haiku anthologies fresh paint(Red Moon Press, 2014), 7 (Jacar Press, 2013), dandelion clocks (Haiku Society of America, 2008) and fish in love (Haiku Society of America, 2006). Her work appears in Rattle, KYSO Flash, Beltway Quarterly Review and Haiku In English The First Hundred Years (Norton, 2013). Beary’s work has been nominated for Best of the Net and multiple Pushcart Prizes. She lives in County Mayo, Ireland.
Lana Bella. A three-time Pushcart Prize, Best of the Net & Bettering American Poetry nominee, Lana Bella is an author of three chapbooks, Under My Dark (Crisis Chronicles Press, 2016), Adagio (Finishing Line Press, 2016), and Dear Suki: Letters (Platypus 2412 Mini Chapbook Series, 2016). She has had poetry and fiction featured with over four hundred journals, Acentos Review, Comstock Review, Expound, Ilanot Review, Notre Dame Review, Rogue Agent, Word/For Word, among others, and work to appear in Aeolian Harp Anthology, Volume 3. Lana resides in the US and the coastal town of Nha Trang, Vietnam, where she is a mom of two far-too-clever-frolicsome imps.
Paul Belz is an environmental educator and writer, currently based in Chico, California. He teaches natural history for preschool and elementary students, their parents, and teachers. Paul has published articles in Terrain Magazine, the East Bay Monthly, Childcare Exchange Magazine, the website Boots’n’All, and the blogs Wild Oakland and Green Adventures Travel. He’s co-editing a book on bioregional education with Judy Goldhaft of San Francisco’s Planet Drum Foundation. His poetry appears in a number of publications, including Canary, Living in the Land of the Dead (an anthology on homelessness by San Francisco’s Faithful Fools Ministry), Poetalk Quarterly, Just Like Cabbage, Only Different, The Poeming Pigeon, Blueline, the anthology What’s Nature Got to Do With Me? and others. His other joys include hiking and camping, world travel, vegetarian cooking, and long walks around San Francisco and his hometown, Pittsburgh, Pennsylvania.
Dana Bloomfield is a retired preschool teacher. Her poems have appeared in Baltimore Review, Digges’ Choice, Baltimore Women’s Times, Green Revolution, and the anthology Grease and Tears.
Tim J Brennan’s poetry can be found in many nice places including The Bitchin’ Kitch, Green Blade, Talking Stick, The Lake (U.K.), KAXE public radio, UpNorth, and Volume One. Brennan’s one act plays have played across the country including stages in Milwaukee, Colorado Springs, Gulf Shores, Rochester, & White Bear Lake Lake & Spring Valley MN, and most recently in Ypsilanti, MI.
Kierstin Bridger is a Colorado writer and author of the 2017 Willa Award winning Demimonde (Lithic Press, 2016) and All Ember (Urban Farmhouse Press). Winner of the Mark Fischer Poetry Prize, the 2015 ACC Writer’s Studio Award, an Anne LaBastille Poetry Residency and short-listed for the Manchester Poetry Competition in the UK, Bridger is both editor of Ridgway Alley Poems and Co-Director of Open Bard Poetry Series. She co-hosts Poetry Voice with poet Uche Ogbuji. Find her current work in Prairie Schooner, December, and Painted Bride Quarterly. She earned her MFA at Pacific University. Kierstinbridger.com.
Michael H. Brownstein has been widely published throughout the small and literary presses. His work has appeared in The Café Review, American Letters and Commentary, Skidrow Penthouse, Xavier Review, Hotel Amerika, Free Lunch, Meridian Anthology of Contemporary Poetry, The Pacific Review, Poetrysuperhighway.com and others. In addition, he has nine poetry chapbooks including A Period of Trees (Snark Press, 2004) and Firestorm: A Rendering of Torah (Camel Saloon Press, 2012), The Possibility of Sky and Hell: From My Suicide Book (White Knuckle Press, 2013). He is the editor of First Poems from Viet Nam (2011).
Jeff Burt lives in California with his wife amid the redwoods and two-lane roads wide enough for one car. He works in mental health. He has work in The Watershed Review, The Nervous Breakdown, Spry, Atticus Review, and The Monarch Review. He was the featured 2015 summer issue poet of Clerestory, and won the 2017 Cold Mountain Review narrative poetry prize.
Michael Chin was born and raised in Utica, New York. His hybrid chapbook, The Leo Burke Finish, is available now from Gimmick Press. He won Bayou Magazine‘s Jim Knudsen Editor’s Prize for fiction and has work published or forthcoming in journals including The Normal School, Passages North and Hobart. He works as a contributing editor for Moss. Find him online at miketchin.com or follow him on Twitter @miketchin.
Rae Cobbs is a Californian made into a Kentucky keeper. She has been writing and teaching since she came to Louisville, Kentucky, over half her life ago. Through poetry, she keeps in touch with the physical world, the desert, which she misses, and her own life. Her poems carry the weight of the personal, social, and political changes that are being wrought. She lives in Louisville, Kentucky, with her partner and a house full of four-leggeds. She has twice been a recipient of a grant from The Foundation for Women.
Victoria Crawford. From Monterey, California, Victoria is a poet passionate about connecting nature and the human experience in words to share with readers. She has been published in Peacock Journal, the Ibis Head Review, Wildflowers Muse, the Lyric Review, Eastlit, and other magazines, as well as having upcoming work in Canary and Pacific Poetry.
J. P. Dancing Bear (Featured Poet, October, 2017) is co-editor for the Verse Daily and Dream Horse Press. He is the author of fourteen collections of poetry, most recently, Cephalopodic (Glass Lyre Press, 2015), and Love is a Burning Building (FutureCycle Press, 2014). His work has appeared or will shortly in American Literary Review, Crazyhorse, the DIAGRAM and elsewhere.
Holly Day has taught writing classes at the Loft Literary Center in Minneapolis, Minnesota, since 2000. Her poetry has recently appeared in Tampa Review, SLAB, and Gargoyle, and her published books include Walking Twin Cities, Music Theory for Dummies, and Ugly Girl.
Maurice Devitt was runner-up in The Interpreter’s House Poetry Competition in 2017, winner of the Trocaire/Poetry Ireland Competition in 2015 and has been placed or shortlisted in many competitions including the Patrick Kavanagh Award, Listowel Collection Competition, Over the Edge New Writer Competition, Cuirt New Writing Award, Cork Literary Review and the Doire Press International Chapbook Competition. He has had poems published in Ireland, England, Scotland, the US, Mexico, Romania, India and Australia, runs the Irish Centre for Poetry Studies site and has a debut collection upcoming in 2018 with Doire Press.
Anthony DiPietro is a Rhode Island native who worked for twelve years in community-based organizations that address issues such as violence, abuse, and income inequality. In 2016, he moved to New York to join Stony Brook University as a candidate for a creative writing MFA and now teaches undergraduate courses. A graduate of Brown University with honors in creative writing, his poems have appeared or are forthcoming in The American Journal of Poetry, Anomaly, Assaracus, The Good Men Project, Helen, Rogue Agent, The Southampton Review, Talking River, and The Woman Inc. His website is AnthonyWriter.com.
William Doreski’s work has appeared in various e and print journals and in several collections, most recently The Suburbs of Atlantis (AA Press, 2013).
Monique Gagnon German is a graduate of Northeastern and Northern Arizona Universities. She is a wife, mother, a former Copy Editor of Ragazine, and former Technical Writer for a laser manufacturer in San Diego, CA. Currently, Monique works as a Content Developer and document QA Specialist for a small veteran owned company in Texas while continuing to write poetry and stories in Colorado. Her poems have appeared in over 30 journals and anthologies, including Rosebud, California Quarterly, Tampa Review, Off the Coast, and The Wayfarer. Her micro-flash, flash, and short stories have been featured in Kalliope, A Journal of Women’s Literature & Art, The MacGuffin, and Adelaide Literary Review. In October 2017, she was nominated for a Pushcart Prize for poetry so she is actively crossing her fingers as you read this. Website for Monique: http://www.moniquegagnongerman-com.webs.com/
Kate Garrett is the founding editor of Three Drops from a Cauldron and Picaroon Poetry, and her own work can be found here and there – most recently in Dying Dahlia Review, Riggwelter, Hobo Camp Review, and The Literary Hatchet. Her latest poetry chapbook You’ve never seen a doomsday like it was published by Indigo Dreams Publishing in 2017, and the next, Losing interest in the sound of petrichor, will be published by The Black Light Engine Room Press in early 2018. She grew up in rural southern Ohio, but moved to the UK in 1999, where she still lives in Sheffield with her husband, 4.5 children, and a sleepy cat.
Howie Good, a journalism professor at SUNY New Paltz, is the author of The Loser’s Guide to Street Fighting, winner of the 2017 Lorien Prize for Poetry from Thoughtcrime Press. He co-edits White Knuckle Press with Dale Wisely.
Beth Gordon is a writer who has been landlocked in St. Louis, Missouri for sixteen years but dreams of oceans daily. Her work has recently appeared in Into the Void, Quail Bell, Calamus Journal, By&By, Five:2:One, Barzakh, and others. She can be found on Twitter @bethgordonpoet.
John Grey is an Australian poet, US resident. Recently published in The Tau, Studio One and Columbia Review with work upcoming in Naugatuck River Review, Examined Life Journal and Midwest Quarterly.
Stephanie L. Harper grew up in California, attended college in Iowa and Germany, completed graduate studies and gave birth to her first child in Wisconsin, and lives with her husband and children in Oregon. Her poems have appeared in Slippery Elm Literary Journal, Rattle Magazine, Ground Fresh Thursday Press, Figroot Press, and elsewhere.
Jack D. Harvey has been writing poetry since he was sixteen. He lives in a small town near Albany, N.Y. He is retired from doing whatever he was doing before he retired. Jack D. Harvey’s poetry has appeared in Scrivener, Mind In Motion, The Comstock Review, The Antioch Review, Bay Area Poets’ Coalition, The University of Texas Review and a number of other on-line and in print poetry magazines over the years, many of which are probably kaput by now, given the high mortality rate of poetry magazines.
Barbara Henning is the author of several collections of poetry, her most recent A Day Like Today (Negative Capability Press 2015). Other recents include A Swift Passage (Quale Press), Cities and Memory (Chax Press) and a collection of object-sonnets, My Autobiography (United Artists). She has published three novels, Thirty Miles to Rosebud, You Me and the Insects and Black Lace, and she is the editor of Looking Up Harryette Mullen and The Collected Prose of Bobbie Louise Hawkins. Born in Detroit, Barbara lives in Brooklyn and teaches for Long Island University, as well as writers.com. http://barbarahenning.com
Trish Hopkinson (Featured Poet, September, 2017) has always loved words—in fact, her mother tells everyone she was born with a pen in her hand. A Pushcart nominated poet, she has been published in several anthologies and journals, including Stirring, Pretty Owl Poetry, and Chagrin River Review; and her third chapbook Footnote was published by Lithic Press in 2017. Hopkinson is co-founder of a regional poetry group, Rock Canyon Poets, and Editor-in-Chief of the group’s annual poetry anthology entitled Orogeny. She is a product director by profession and resides in Utah with her handsome husband and their two outstanding children. You can follow Hopkinson on her blog where she shares information on how to write, publish, and participate in the greater poetry community at https://trishhopkinson.com/.
Vicki Iorio is the author of the poetry collection, Poems from the Dirty Couch, Local Gems Press, 2013 and the chapbook, Send me a Letter, dancinggirlpress. You can read Iorio’s work in Hell Strung and Crooked, I Let Go of the Stars, (Great Weather for Media), The Brownstone Poets Anthology, The San Pedro Review, The Mom Egg, Crack the Spine, The Painted Bride Quarterly, The Fem Lit Magazine, Redheaded Stepchild Magazine, The Paper Street Journal, Poetry Bay, Home Planet News,Concise, Cactus Heart, Rattle on line, South Florida Poetry Journal, Five:2:One Magazine, RatsAss Review, New York Times, Poetry Super Highway, Eratio Poetry Journal, In Between Hangovers, Conches, Anti Heroin Chic, and Misfit.
James Croal Jackson is the author of The Frayed Edge of Memory (Writing Knights Press, 2017). His poetry has appeared or is forthcoming in FLAPPERHOUSE, Yes Poetry, Serving House Journal, and elsewhere. He edits The Mantle. Find him in Columbus, Ohio or at jimjakk.com.
Seth Jani currently resides in Seattle, WA and is the founder of Seven CirclePress. His own work has been published widely in such places as The Chiron Review, Pretty Owl Poetry, El Portal, The Hamilton Stone Review, Hawai`i Pacific Review, VAYAVYA, Gingerbread House, Gravel and Zetetic: A Record of Unusual Inquiry. More about him and his work can be found at http://www.sethjani.com.
Theric Jepson’s poetry has appeared in a number of publications, most of which have never claimed regret for their decision. His chapbook After Chadwick was released in 2015. If you wish to visit him online, alas, thmazing.com is currently crippled by corrupted code, but googling thmazing and seeing what comes up is probably more fun anyway.
Ali Jones is a teacher and mother of three. Her work has appeared in Fire, Poetry Rivals, Strange Poetry, Ink Sweat and Tears, Snakeskin Poetry, Atrium, Mother’s Milk Books, Breastfeeding Matters, Breastfeeding Today and Green Parent magazine. She has also written for The Guardian. Her pamphlets Heartwood and Omega are forthcoming with Indigo Dreams Press in 2018.
Anna Kander is a writer in the Midwest. Her work has appeared in journals including Snapdragon, I Am Not a Silent Poet, and Social Justice.
Jess Kangas is a strawberry siren poet located in Buffalo, NY. Her poetry is rich in sound, structure and secrets.
Gayle Kaune has been published widely in literary magazines including Poet and Critic, Crab Creek Review, Seattle Review, Milkweed Editions, South Florida Poetry Review, and Centennial Review. She has won several Washington Poets Awards, a Ben Hur Lampmann award, and has been nominated for a Pushcart Prize. Her book, Still Life in the Physical World, was published by Blue Begonia Press; her latest, All the Birds Awake, is available from Tebot Bach. She also has two chapbooks: N’Sid-Sen-Star and Concentric Circles, which won the Flume Press Award. Her latest manuscript, Noise From Stars, is looking for a home.
Kamal E. Kimball is an Ohio poet whose work has been published in Rattle, Sundog Lit, Bone Parade, Sow’s Ear Poetry Review, Kaaterskill Basin Literary Journal and elsewhere. She works as a grant writer and teaches creative writing. More at kamalkimball.com.
Tanya (Hyonhye) Ko Hong, poet, translator and cultural curator, has been published in Rattle, Beloit Poetry Journal, Entropy, Cultural Weekly, Korea Times, Korea Central Daily News, and elsewhere. She has an MFA in creative writing from Antioch University Los Angeles, and is the author of four collections of poetry, most recently, Mother to Myself, A collection of poems in Korean (Prunsasang Press, 2015). Her poem, Comfort Woman, got honorable mention in the 2015 Women’s National Book Association. Tanya is an ongoing advocate of bilingual poetry, promoting the work of immigrant poets. She lives Palos Verdes, CA. http://www.tanyakohong.com
Ellaraine Lockie is widely published and awarded as a poet, nonfiction book author and essayist. Tripping with the Top Down is her thirteenth chapbook. Earlier collections have won Poetry Forum’s Chapbook Contest Prize, San Gabriel Valley Poetry Festival Chapbook Competition, Encircle Publications Chapbook Contest, Best Individual Poetry Collection Award from Purple Patch magazine in England Competition, and The Aurorean’s Chapbook Choice Award. Ellaraine teaches writing workshops and serves as Poetry Editor for the lifestyles magazine, Lilipoh.
Paul Lojeski was born and raised in Lakewood, Ohio, and he attended Oberlin College. His poetry has appeared online and in print. He lives in Port Jefferson, NY.
Catie Marie Martin. Originally from Birmingham, Alabama, Catie Marie is currently a student at Brooklyn Law School in Brooklyn, New York. She received her BA in English from Mississippi State University, where she worked as the poetry editor for the school’s literary magazine, The Streetcar, as well as the managing editor for the student newspaper, The Reflector. Catie Marie’s poetry has previously been published in The Streetcar and in the University of Illinois’s Ninth Letter.
Catherine McGuire is a writer and artist with a deep concern for our planet’s future. She has three decades of published poetry, four poetry chapbooks and a full-length poetry book, Elegy for the 21st Century (FutureCycle Press). A deindustrial science fiction novel Lifeline was just released by Founders House Publishing. Find her at http://www.cathymcguire.com.
LeeAnn Meadows was born and raised in Humboldt County, California and now calls New Mexico home. She lives on the outskirts of Las Cruces with her artist/husband, Glenn Schwaiger, and two dogs in an old adobe motel surrounded by pecan trees. Her work has appeared in Sin Fronteras, Adobe Walls, and Malpais Review.
Mary Meriam is the founder of Lavender Review, cofounder of Headmistress Press, editor of Irresistible Sonnets, and author of The Lillian Trilogy. Her poems have been published by The New York Times, the Poetry Foundation, Oxford University Press, National Public Radio, Penguin Random House, University Press of New England, Seal Press, and many literary journals.
Hinnah Mian is a Pakistani-American Muslim poet who studies at Kenyon College. Her work has been previously published in the Blue Minaret and HIKA.
Nicole Michaels is a Marin County, CA native who makes her home in frontier Wyoming. She is a working poet with a degree in English from Stanford University where she studied under the late Diane Middlebrook and chose an emphasis in feminist studies. She spent some time in the American South as a journalist for small papers.
Mark J. Mitchell’s latest novel, The Magic War just appeared from Loose Leaves Publishing. He studied writing at UC Santa Cruz under Raymond Carver and George Hitchcock. His work has appeared in the several anthologies and hundreds of periodicals. Three of his chapbooks— Three Visitors, Lent, 1999, and Artifacts and Relics—and the novel, Knight Prisoner are available through Amazon and Barnes and Noble.. He lives with his wife Joan Juster and makes a living pointing out pretty things in San Francisco.
Tracy Mitchell is a newly retired native Minnesotan, recently relocated to the splendor of Colorado. His free verse writing is largely inspired by the vagaries of this frail and transitory life. Fair game subject matter includes nature, ourselves, and each other. His best work has been imagined by the campfire in a clearing somewhere near sleep. He is a contributing member of Poetry Society of Colorado, MyWritersCircle, Writers Among Us, Poetry Circle, and PigPen Poetry Forum. His work has appeared in Lake Region Review, and the poetry anthology As the Kettle Wolf-Whistled.
Sergio A. Ortiz (Featured Poet, August, 2017) is a two-time Pushcart nominee, a six-time Best of the Web nominee, and 2016/17 Best of the Net nominee. His poems have appeared or are forthcoming in Valparaiso Poetry Review, Loch Raven Review, Drunk Monkeys, Algebra Of Owls, Free State Review, and The Paragon Journal. His chapbook, An Animal Resembling Desire, will be published by Finishing Line Press. He is currently working on his first full-length collection of poems, Elephant Graveyard.
Mary Panke is an emerging poet and Pushcart Prize nominee with work published or forthcoming in Word Fountain, Ekphrastic Review and Whale Road Review. She lives near Hartford, Connecticut with her three favorite people.
Kenneth Pobo has a new book of poems out from Circling Rivers called Loplop in a Red City. His work has appeared in: The Queer South anthology, Caesura, Colorado Review, Mudfish, and elsewhere.
Timothy Pond loves the Staten Island Ferry because it’s orange and a free way to escape Manhattan. She is named after the grass.
Alexis Rhone Fancher is published in Best American Poetry 2016, Plume, Rattle, Diode,
Rust & Moth, Nashville Review, Verse Daily, and elsewhere. She is the author of How I Lost My Virginity To Michael Cohen and other heart stab poems, (2014), State of Grace: The Joshua Elegies, (2015), and Enter Here (2017). A multiple Pushcart Prize and Best of the Net nominee, Alexis is poetry editor of Cultural Weekly.
David Rodriguez is a writer and teacher based in New Orleans with an MFA from Florida State University. He has previously been published in the New Orleans Review, The Southeast Review, The Sandy River Review, Hawai’i Review, and Jarfly, among other places.
Aparna Sanyal. An MA from Kings College, London, Aparna is a writer, theatre producer, and award- winning furniture designer. A popular Spoken Word poet, she performs at events across venues in India. Her page poetry has appeared/ is forthcoming in literary journals such as Autumn Sky Poetry Daily, The Visitant, The Same, Leaves of Ink, The Paragon Journal, Duane’s Poetree, A Writer’s Haven Blog, et al. She lives with her 3-year-old son and husband in Pune, India.
Trish Saunders divides her time between Seattle and Honolulu. Her poems are published or forthcoming in Snapping Twig, Gnarled Oak, Busted Dharma, Blast Furnace Press, Off the Coast, Poets and Poetry, and Here/There Poetry.
Marta Shaffer is completing her MA in English at California State University, Chico, where she received first place in the poetry category for the 2015 Intro Journals Project Award. She has worked as a student co-editor/poetry slush pile reader for Watershed Review. She was the winner of the haiku contest judged by Kazim Ali at the Wordspring Writing Conference in 2014. Marta has upcoming work appearing in the fall issue of The Finger, and was also a Chico News & Review finalist in the 2015 Poetry 99 contest. She cannot roll her tongue. She hails from Minnesota.
Kelly Shepherd has worked as a kindergarten teacher in South Korea, and a construction worker in northern Alberta, Canada. His first full-length poetry collection, Shift, was published by Thistledown Press in 2016 and longlisted for the Edmonton Public Library’s People’s Choice Award in 2017. Insomnia Bird, a second full-length collection, is forthcoming from Thistledown Press in 2018. He has written six poetry chapbooks, most recently A Hidden Bench(the Alfred Gustav Press, Vancouver, 2017). Kelly has a Creative Writing MFA from UBC Okanagan, and an MA in Religious Studies from the University of Alberta, with a thesis on sacred geography. Originally from Smithers, British Columbia, Kelly lives and teaches in Edmonton, Alberta. He is also the poetry editor for the environmental philosophy journal The Trumpeter.
Judy Shepps Battle has been writing essays and poems long before retiring from being psychotherapist and sociology professor. She is a New Jersey resident, addictions specialist, consultant and freelance writer.
Rishitha Shetty lives in Bangalore, India. She has been previously published in Spark, The Indian Review, The literary yard and The Quail Bell Magazine. She is a member of Bangalore Writers Workshop.
M. Stone is a bookworm, birdwatcher, and stargazer who writes poetry while living in the foothills of the Blue Ridge Mountains. Her poems have appeared or are forthcoming in San Pedro River Review, SOFTBLOW, Calamus Journal, and numerous other print and online journals. She can be reached at writermstone.wordpress.com.
Sneha Subramanian Kanta is often seen tracing manufacturing of sensibility from the eighteenth century to present day notions of psychology, She pays close attention to concentrated molecules in a jar. Her poetry is forthcoming in Eunoia Review and Across the Margin, and fiction in Indiana Voice Review and elsewhere. She is general advisor and poetry editor for her university journal, INK. An awardee of the prestigious GREAT scholarship, she has a second postgraduate degree in literature from England. She is the cofounder of Parentheses Journal, a literary initiative that straddles hybrid identities across coasts and climes.
Katelyn Thomas is a poet and photographer who works in the children’s department of her local library. She spends her free time hiking, reading and watching her rambunctious hens cavorting in the sunlight. She has most recently been published in Social Justice Poetry and Haiku Journal.
Jordan Trethewey grows older, wiser, and more ruggedly handsome amidst his busy family in Fredericton, New Brunswick, Canada. He is the author of two books of poetry, Bathroom Stall Stanzas (2012), and Wishing on Satellites (2016); and a book of short fiction, Painfully Awkward (2011). He is working on a poetry ‘double album,’ a book of children’s verse, and trying desperately to finish his novel.
Wren Tuatha (Califragile Editor). Wren’s poetry has appeared or is upcoming in The Cafe Review, Canary, Pirene’s Fountain, Peacock Journal, Coachella Review, Arsenic Lobster, Baltimore Review, Loch Raven Review, Clover, Lavender Review, Autumn Sky Poetry Daily, Poetry Pacific, and Bangalore Review. She’s also an editor at JUMP, International Journal of Modern Poetry. Wren and her partner, author/activist C.T. Lawrence Butler, herd skeptical goats on a mountain in California.
Lynne Viti teaches in the Writing Program at Wellesley College. Her first chapbook, Baltimore Girls, was published by Finishing Line Press in 2017. Her second chapbook, The Glamorganshire Bible, will be released in early 2018. Her writing has appeared most recently in I Come From the World, The Thing Itself, Stillwater Review, Bear Review, In-Flight Magazine, Tin Lunchbox, Lost Sparrow, and South Florida Poetry Journal. She was awarded Honorable Mentions in the 2015 Allen Ginsberg Poetry Competition and the 2017 Concrete Wolf Louis Chapbook competition, and was named a finalist in the 2016 Grey Borders Wanted Works Poetry Chapbook Contest. She blogs at stillinschool.wordpress.com.
Kim Whysall-Hammond trained as an astronomer and now works in IT. She finds beauty and wonder in what others consider strange places. Although she’s been writing poetry since girlhood, she’s only recently started submitting. Her work is published in Ink, Sweat and Tears, Your One Phone Call, In Between Hangovers, Amaryllis, and Peacock Journal. She also shares poems at TheCheesesellersWife in a rather free fashion for an Englishwoman.
Martin Willitts, Jr. is a retired Librarian. He is the winner of the 2014 Dylan Thomas International Poetry Award and Rattle Ekphrastic Challenge, June, 2015, Editor’s Choice. He has over twenty chapbooks including the winner of the Turtle Island Quarterly Editor’s Choice Award, The Wire Fence Holding Back the World (Flowstone Press, 2017), plus eleven full-length collections including Dylan Thomas and the Writing Shed (FutureCycle Press, 2017) and Three Ages of Women (Deerbrook Editions, 2017).
Margaret Young’s poetry collections are Willow From the Willow (Cleveland State University Poetry Center, 2002) and Almond Town (Bright Hill Press, 2011), plus a chapbook Blight Summer just out from Finishing Line Press. She is translating the work of Sergio Inestrosa (Mexico) and Débora Benacot (Argentina). Young is on the faculty of the Global Center for Advanced Studies and Endicott College in Beverly, Massachusetts.
Caroline Zimmer’s poetry, as well as her visual art, has appeared in The Maple Leaf Rag, Umbra and Unspoken magazine. She is a lifelong resident of the French Quarter in New Orleans, where she lives with her Doberman, Iris and her fiancé, fellow poet, David Rowe. Caroline tends bar and reads tarot cards out of her home.
Thomas Zimmerman teaches English, directs the Writing Center, and edits The Big Windows Review at Washtenaw Community College, in Ann Arbor, Michigan, USA. His poems have appeared recently in Blood & Bourbon, Brickplight, and Visceral Uterus. Tom’s website: https://thomaszimmerman.wordpress.com/