#Mountains: The Path by Stella Pierides

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At the top of the stairway snaking up the hill, a white-washed chapel and an olive tree. Blinding sunlight. Some way to go yet. The stony stairs are narrow, a couple of hands-width before the cliff falls steeply into the sea.

Slow down, there’s no hurry. Take a deep breath. Feel the rough warmth of the rock. The wind beating against it raises the fragrance of sage, of thyme and marjoram to the skies, erases the silence.

marble wings—
in the distance
windmill ruins

Feel the salt on your lips, the urgent wind tussling your hair.
This history book under your arm, so well-thumbed, leave it here, against that rock, someone coming after you might linger, take a look.

pillars of salt—
propping her foot
on a stone

And the pebble from Amorgos you kept in your pocket all those years, add it to the cairn over there, where the path widens. Let it go. The trail is moments like this, following the light, teetering on the edge of your desires, of your sorrows.
That bench at the top, see it now, under the olive tree? This is your goal. You can rest there. Wise, gentle Persephone will hold your hand.

embalming my tongue
I rest in the shadow
of the silver-leaved olive

 

 

Stella Pierides is a poet and writer born in Athens, Greece, now living in Neusaess, Germany and London, UK. She is the author of three poetry books: Of This World (Red Moon Press, 2017) and In the Garden of Absence (Fruit Dove Press, 2012), both of which received a Haiku Society of America merit award; Feeding the Doves (Fruit Dove Press, 2013). Her work has also appeared in numerous print and online journals and anthologies. Currently she manages the Per Diem: Daily Haiku feature for the Haiku Foundation.

 

Painting by Jenn Zed.

Cool Chennai, Haibun by Kala Ramesh

1024px-Big_Banyan_Tree_at_Bangalore by Kiran Gopi

an uncut rock
under the banyan
the memory

One day in December, a frail man, almost eighty years of age — JK as he’s affectionately called — sits with his eyes closed under the famed banyan tree in his residence. There’s pin-drop silence as people wait for the master to speak … birds returning to their nests go in and out of song. Forty-five minutes later he looks up smilingly and says, “the birds have said everything I wanted to say today.”

breathless across the river the moon where I began

 

 

First published in Modern Haiku.

buddhatree

Kala Ramesh – Poet, editor, anthologist, Kala’s initiatives culminated in founding INhaiku to bring Indian haiku poets under one umbrella in 2013. She has taught haiku and allied genres at Symbiosis International University and the Katha National Writers Workshop since 2013. To bring haiku into everyday spaces, Kala initiated HaikuWALL, haikuTRAIL, haikuTALK, haikuWORKSHOP, haikuYOUTH, haikuUTSAV, haikuDHYANA and haikuSTAGE – a weaving together of art forms. SAMVAAD :: the open sky — a dialogue to bring writers of different poetic genres together is her latest venture. She is the editor of four haiku, tanka and haibun journals. Kala has been a speaker at several national and international literary festivals.

Kala co-edited the award winning Naad Anunaad: an Anthology of Contemporary World Haiku (Vishwakarma Publication 2016, Pune),  Wishbone Moon (Jacar Press 2018, USA) and  EquiVerse SPACE (Notion Press 2018, Mumbai), co-authored with Marlene Mountain the e-book  one-line twos (Bones Journal 2016, Denmark), authored a tanka e-chapbook Uunseen Arc (Snapshot Press 2017, UK) and two print books: Haiku and the Companion Activity Book (Katha Books 2010, reprint 2017, New Delhi) and Beyond the Horizon Beyond Haiku & Haibun (Vishwakarma Publication 2017, Pune).

 

Banyan tree photograph by Kiran Gobi.