#MeToo: Irish Twins (haibun) by Roberta Beary

attic rain
the backyard swing
off kilter

We share an attic room. In the corner is an old double bed that smells and sags on one side. My side. Late at night I hear my heart beat. Loud. So loud he will hear it. He will think my heart is calling him up the attic stairs. His footsteps are heavy. He smells of old spice and cherry tobacco. My eyes shut tight. I know he is there. I feel his weight. Never on my side. Always on the side she sleeps. When the bed-springs sing their sad song I fly away. Up to the ceiling. My sister is already there. Together we hold hands. Looking down we see our bodies. We are not moving. We are as still as the dead.

 

 

First published in Contemporary Haibun Online.

 

 

Roberta Beary identifies as gender-expansive, and writes to connect with the disenfranchised, to let them know they are not alone. She is the author of three books of poems: Deflection (Accents Publishing, 2015), nothing left to say (King’s Road Press, 2009) and The Unworn Necklace (Snapshot Press, 2007, 5th ed. 2017) which was a finalist in the Poetry Society of America annual book awards. Beary is the editor of the haiku anthologies fresh paint (Red Moon Press, 2014), 7 (Jacar Press, 2013), dandelion clocks (Haiku Society of America, 2008) and fish in love (Haiku Society of America, 2006). Her work appears in Rattle, KYSO Flash, Beltway Quarterly Review and Haiku In English The First Hundred Years (Norton, 2013). Beary’s work has been nominated for Best of the Net and multiple Pushcart Prizes. She lives in County Mayo, Ireland.

 

 

Haibun (俳文, literally, haikai writings) is a prosimetric literary form originating in Japan, combining prose and haiku. –Wikipedia

 

Twin Sisters by Ruth Zarfati. White cement.

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